
- KONTAKT EWQLSO TEMPLATE FOR SIBELIUS MANUAL
- KONTAKT EWQLSO TEMPLATE FOR SIBELIUS FULL
- KONTAKT EWQLSO TEMPLATE FOR SIBELIUS PRO
- KONTAKT EWQLSO TEMPLATE FOR SIBELIUS SOFTWARE
- KONTAKT EWQLSO TEMPLATE FOR SIBELIUS SERIES
KONTAKT EWQLSO TEMPLATE FOR SIBELIUS MANUAL
Virtual is not a word I use very often but the Symphonic Orchestra is virtually perfect! A moment or two with the manual is enough to convince anyone with an interest in recording techniques that this is a very serious undertaking. This is a beautifully recorded and expensive sounding! I can actually hear my compositions come together as I write them, because EWQLSO has the sound of a world class orchestra, right out of the box. EastWest symphonic Orchestra manual ? | NI Community Forum No other orchestral samples have achieved this level of realism and fidelity. Anyone interested in adding sampled orchestral sounds to their productions would have to consider this terrific library. The production room and recording gave it a great finished sound out of wwqlso box.
KONTAKT EWQLSO TEMPLATE FOR SIBELIUS PRO
Ultimately, the level of warmth and detail in the recordings, multiple mic perspectives, flexible ensemble sizes, and wide range of articulations make Pro XP an obvious choice for anyone whose goal is to produce ultra-realistic MIDI mockups. There is simply no other library – at any price – that compares with the overall sound, usability and capability of EWQLSO.Īnd of course the “Pro” expansions take the product so far into the next realm that the competition might as well pack up and go home! Across the board Pro XP’s samples have a fatness to them that other libraries don’t quite capture. While it’s not exactly miraculous these days to have manuaal to good orchestral samples, it seems nothing short of miraculous to me to have this level of quality and realism available at my fingertips. The emotional quality of the samples ewqlo my compositions sing and really show how much sweat and love were put into the creation of the library.Īs choir director, I need an orchestral sample set that exudes realism and impact, since our broadcasts cover the globe by radio and internet I’m pleased to report that Pro XP fits the bill quite exquisitely! It sounds first class, right out of the box, and I find I dont need to do any panning or EQing – manua to make ewqlo sit in the mix. As a composer working in the computer games industry, Im often working to tight deadlines and turnaround times. The FX patches, the qlegato and inclusion of all the platinum articulations has made this the number one library for me.Įwqldo Don’t know what else to say I’m your biggest fan. It’s difficult to ewqlsl my enthusiasm about Gold in one sentence.
KONTAKT EWQLSO TEMPLATE FOR SIBELIUS SERIES
He most recently conducted the Los Angeles Philharmonic in a series of concerts where he performed music from classic films about Los Angeles. The sounds are inspiring to play because they sound so good. No matter how much reverb you put on those recordings, they never sound good. Most of them were close mic’ed and not in a proper environment for an orchestra. The big issue I have had with orchestral sample libraries in the past has been the way they were recorded. The cost of it really isn’t an issue for me, because when I need to do the orchestral mock-ups I need to have the best sounding, most expressive orchestral instruments I can find.
KONTAKT EWQLSO TEMPLATE FOR SIBELIUS FULL
When I compose, I have a full orchestra loaded into samplers. I come from a classical background and my music is primarily for the orchestra with additional electronic elements when appropriate. PLAY isn’t just a sample playback system.
KONTAKT EWQLSO TEMPLATE FOR SIBELIUS SOFTWARE
The software triggers this “release trail” at the end of every note and adjusts the dynamics so that the ewqlsl blend seamlessly, truly placing the listener in the hall with the orchestra.įor bit compatibility, please use PLAY 4. In the past, this meant adding reverb and effects, further digitizing and degrading the overall quality of your music. Beyond the orchestra’s phenomenal recording quality is its ability to breathe life into the virtual world, creating a real space and filling it with sound. This eliminates the need for artificial reverb. By selecting different mic positions, users can mix these sounds together to create any kind of natural ambience their project requires.

Recorded by time Grammy nominated classical recording engineer Prof. I followed all of the soundsetproject user manual directions and I think getting sound playback when I try to use the EWQL configuration.Ī big, bountiful, powerful, expressive, sonically superior collection of top-quality orchestral sounds, recorded in a first-class concert hall, played, wwqlso and programmed by expert practitioners, waiting to burst into life in your compositions.

EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA. EWQL Symphonic Orchestra – Sibelius Sound Set User Manual | iii.
